Hélène Adeline Guerber
Myths of the Norsemen|
Chapter XVII: The Norns
The Northern goddesses of fate, who were called Norns, were in nowise subject to the other gods, who might neither question nor influence their decrees. They were three sisters, probably descendants of the giant Norvi, from whom sprang Nott (night). As soon as the Golden Age was ended, and sin began to steal even into the heavenly homes of Asgard, the Norns made their appearance under the great ash Yggdrasil, and took up their abode near the Urdar fountain. According to some mythologists, their mission was to warn the gods of future evil, to bid them make good use of the present, and to teach them wholesome lessons from the past.
These three sisters, whose names were Urd, Verdandi, and Skuld, were personifications of the past, present, and future. Their principal occupations were to weave the web of fate, to sprinkle daily the sacred tree with water from the Urdar fountain, and to put fresh clay around its roots, that it might remain fresh and ever green.
Some authorities further state that the Norns kept watch over the golden apples which hung on the branches of the tree of life, experience, and knowledge, allowing none but Idun to pick the fruit, which was that with which the gods renewed their youth.
The Norns also fed and tenderly cared for two swans which swam over the mirror-like surface of the Urdar fountain, and from this pair of birds all the swans on earth are supposed to be descended. At times, it is said, the Norns clothed themselves with swan plumage to visit the earth, or sported like mermaids along the coast and in various lakes and rivers, appearing to mortals, from time to time, to foretell the future or give them sage advice.
The Norns sometimes wove webs so large that while one of the weavers stood on a high mountain in the extreme east, another waded far out into the western sea. The threads of their woof resembled cords, and varied greatly in hue, according to the nature of the events about to occur, and a black thread, tending from north to south, was invariably considered an omen of death. As these sisters flashed the shuttle to and fro, they chanted a solemn song. They did not seem to weave according to their own wishes, but blindly, as if reluctantly executing the wishes of Orlog, the eternal law of the universe, an older and superior power, who apparently had neither beginning nor end.
Two of the Norns, Urd and Verdandi, were considered to be very beneficent indeed, while the third, it is said, relentlessly undid their work, and often, when nearly finished, tore it angrily to shreds, scattering the remnants to the winds of heaven. As personifications of time, the Norns were represented as sisters of different ages and characters, Urd (Wurd, weird) appearing very old and decrepit, continually looking backward, as if absorbed in contemplating past events and people; Verdandi, the second sister, young, active, and fearless, looked straight before her, while Skuld, the type of the future, was generally represented as closely veiled, with head turned in the direction opposite to where Urd was gazing, and holding a book or scroll which had not yet been opened or unrolled.
These Norns were visited daily by the gods, who loved to consult them; and even Odin himself frequently rode down to the Urdar fountain to bespeak their aid, for they generally answered his questions, maintaining silence only about his own fate and that of his fellow gods.
Besides the three principal Norns there were many others, far less important, who seem to have been the guardian spirits of mankind, to whom they frequently appeared, lavishing all manner of gifts upon their favourites, and seldom failing to be present at births, marriages, and deaths.
On one occasion the three sisters visited Denmark, and entered the dwelling of a nobleman as his first child came into the world. Entering the apartment where the mother lay, the first Norn promised that the child should be handsome and brave, and the second that he should be prosperous and a great scald—predictions which filled the parents’ hearts with joy. Meantime news of what was taking place had gone abroad, and the neighbours came thronging the apartment to such a degree that the pressure of the curious crowd caused the third Norn to be pushed rudely from her chair.
Angry at this insult, Skuld proudly rose and declared that her sister’s gifts should be of no avail, since she would decree that the child should live only as long as the taper then burning near the bedside. These ominous words filled the mother’s heart with terror, and she tremblingly clasped her babe closer to her breast, for the taper was nearly burned out and its extinction could not be very long delayed. The eldest Norn, however, had no intention of seeing her prediction thus set at naught; but as she could not force her sister to retract her words, she quickly seized the taper, put out the light, and giving the smoking stump to the child’s mother, bade her carefully treasure it, and never light it again until her son was weary of life.
The boy was named Nornagesta, in honour of the Norns, and grew up to be as beautiful, brave, and talented as any mother could wish. When he was old enough to comprehend the gravity of the trust his mother told him the story of the Norns’ visit, and placed in his hands the candle end, which he treasured for many a year, placing it for safe-keeping inside the frame of his harp. When his parents were dead, Nornagesta wandered from place to place, taking part and distinguishing himself in every battle, singing his heroic lays wherever he went. As he was of an enthusiastic and poetic temperament, he did not soon weary of life, and while other heroes grew wrinkled and old, he remained young at heart and vigorous in frame. He therefore witnessed the stirring deeds of the heroic ages, was the boon companion of the ancient warriors, and after living three hundred years, saw the belief in the old heathen gods gradually supplanted by the teachings of Christian missionaries. Finally Nornagesta came to the court of King Olaf Tryggvesson, who, according to his usual custom, converted him almost by force, and compelled him to receive baptism. Then, wishing to convince his people that the time for superstition was past, the king forced the aged scald to produce and light the taper which he had so carefully guarded for more than three centuries.
In spite of his recent conversion, Nornagesta anxiously watched the flame as it flickered, and when, finally, it went out, he sank lifeless to the ground, thus proving that in spite of the baptism just received, he still believed in the prediction of the Norns.
In the middle ages, and even later, the Norns figure in many a story or myth, appearing as fairies or witches, as, for instance, in the tale of “the Sleeping Beauty,” and Shakespeare’s tragedy of Macbeth.
Sometimes the Norns bore the name of Vala, or prophetesses, for they had the power of divination—a power which was held in great honour by all the Northern races, who believed that it was restricted to the female sex. The predictions of the Vala were never questioned, and it is said that the Roman general Drusus was so terrified by the appearance of Veleda, one of these prophetesses, who warned him not to cross the Elbe, that he actually beat a retreat. She foretold his approaching death, which indeed happened shortly after through a fall from his steed.
These prophetesses, who were also known as Idises, Dises, or Hagedises, officiated at the forest shrines and in the sacred groves, and always accompanied invading armies. Riding ahead, or in the midst of the host, they would vehemently urge the warriors on to victory, and when the battle was over they would often cut the bloody-eagle upon the bodies of the captives. The blood was collected into great tubs, wherein the Dises plunged their naked arms up to the shoulders, previous to joining in the wild dance with which the ceremony ended.
It is not to be wondered at that these women were greatly feared. Sacrifices were offered to propitiate them, and it was only in later times that they were degraded to the rank of witches, and sent to join the demon host on the Brocken, or Blocksberg, on Valpurgisnacht.
Besides the Norns or Dises, who were also regarded as protective deities, the Northmen ascribed to each human being a guardian spirit named Fylgie, which attended him through life, either in human or brute shape, and was invisible except at the moment of death by all except the initiated few.
The allegorical meaning of the Norns and of their web of fate is too patent to need explanation; still some mythologists have made them demons of the air, and state that their web was the woof of clouds, and that the bands of mists which they strung from rock to tree, and from mountain to mountain, were ruthlessly torn apart by the suddenly rising wind. Some authorities, moreover, declare that Skuld, the third Norn, was at times a Valkyr, and at others personated the goddess of death, the terrible Hel.
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